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1 steel fibre reinforced concrete
Building materials: SFRSУниверсальный русско-английский словарь > steel fibre reinforced concrete
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2 армированные материалы
армированные материалы
Материалы, усил. более прочными материалами; напр., листовое силикатное стекло с запрессов. при формовании металлич. сеткой; графит, изделия, армиров. углерод, волокнами и т.п.
[ http://metaltrade.ru/abc/a.htm]Тематики
EN
3.8 армированные материалы (reinforced materials): Материалы на тканой основе.
Источник: ГОСТ Р 53447-2009: Лодки надувные. Часть 2. Лодки с мощностью мотора 4,5 до 15 кВт включительно оригинал документа
3.8 армированные материалы (reinforced materials): Материалы на тканой основе.
Источник: ГОСТ Р 53448-2009: Лодки надувные. Часть 3. Лодки с мощностью мотора не менее 15 кВт оригинал документа
Русско-английский словарь нормативно-технической терминологии > армированные материалы
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3 арматурные материалы
арматурные материалы
Высокопрочные материалы, вводимые в др. материал с целью его усиления; напр, металлич. стержни и проволока, стекл. нити, углеродные волокна и др.
[ http://metaltrade.ru/abc/a.htm]Тематики
EN
Русско-английский словарь нормативно-технической терминологии > арматурные материалы
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4 армированный материал
печатный материал, подсчитываемый по площади — area material
Русско-английский новый политехнический словарь > армированный материал
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5 Wright, Frank Lloyd
SUBJECT AREA: Architecture and building[br]b. 8 June 1869 Richland Center, Wisconsin, USAd. 9 April 1959 Phoenix, Arizona, USA[br]American architect who, in an unparalleled career spanning almost seventy years, became the most important figure on the modern architectural scene both in his own country and far further afield.[br]Wright began his career in 1887 working in the Chicago offices of Adler \& Sullivan. He conceived a great admiration for Sullivan, who was then concentrating upon large commercial projects in modern mode, producing functional yet decorative buildings which took all possible advantage of new structural methods. Wright was responsible for many of the domestic commissions.In 1893 Wright left the firm in order to set up practice on his own, thus initiating a career which was to develop into three distinct phases. In the first of these, up until the First World War, he was chiefly designing houses in a concept in which he envisaged "the house as a shelter". These buildings displayed his deeply held opinion that detached houses in country areas should be designed as an integral part of the landscape, a view later to be evidenced strongly in the work of modern Finnish architects. Wright's designs were called "prairie houses" because so many of them were built in the MidWest of America, which Wright described as a "prairie". These were low and spreading, with gently sloping rooflines, very plain and clean lined, built of traditional materials in warm rural colours, blending softly into their settings. Typical was W.W.Willit's house of 1902 in Highland Park, Illinois.In the second phase of his career Wright began to build more extensively in modern materials, utilizing advanced means of construction. A notable example was his remarkable Imperial Hotel in Tokyo, carefully designed and built in 1916–22 (now demolished), with special foundations and structure to withstand (successfully) strong earthquake tremors. He also became interested in the possibilities of reinforced concrete; in 1906 he built his church at Oak Park, Illinois, entirely of this material. In the 1920s, in California, he abandoned his use of traditional materials for house building in favour of precast concrete blocks, which were intended to provide an "organic" continuity between structure and decorative surfacing. In his continued exploration of the possibilities of concrete as a building material, he created the dramatic concept of'Falling Water', a house built in 1935–7 at Bear Run in Pennsylvania in which he projected massive reinforced-concrete terraces cantilevered from a cliff over a waterfall in the woodlands. In the later 1930s an extraordinary run of original concepts came from Wright, then nearing 70 years of age, ranging from his own winter residence and studio, Taliesin West in Arizona, to the administration block for Johnson Wax (1936–9) in Racine, Wisconsin, where the main interior ceiling was supported by Minoan-style, inversely tapered concrete columns rising to spreading circular capitals which contained lighting tubes of Pyrex glass.Frank Lloyd Wright continued to work until four days before his death at the age of 91. One of his most important and certainly controversial commissions was the Solomon R.Guggenheim Museum in New York. This had been proposed in 1943 but was not finally built until 1956–9; in this striking design the museum's exhibition areas are ranged along a gradually mounting spiral ramp lit effectively from above. Controversy stemmed from the unusual and original design of exterior banding and interior descending spiral for wall-display of paintings: some critics strongly approved, while others, equally strongly, did not.[br]Principal Honours and DistinctionsRIBA Royal Gold Medal 1941.Bibliography1945, An Autobiography, Faber \& Faber.Further ReadingE.Kaufmann (ed.), 1957, Frank Lloyd Wright: an American Architect, New York: Horizon Press.H.Russell Hitchcock, 1973, In the Nature of Materials, New York: Da Capo.T.A.Heinz, 1982, Frank Lloyd Wright, New York: St Martin's.DY -
6 embellecedor
adj.1 embellishing, beautifying.2 embellishing, added merely to fill out a sentence.m.go-faster stripes (moldura).* * *► adjetivo1 beautifying1 AUTOMÓVIL hubcap————————1 AUTOMÓVIL hubcap* * *1.ADJ2. SM1) (Aut) hub capembellecedores laterales — "go-faster" stripes
2) (=adorno) trim* * *I- dora adjetivo beauty (before n)II* * *= car trim, trim.Ex. The manufacture car trims reinforced with natural fibers which contain approx. 80% materials from renewable resources.Ex. The early telephone booths were manufactured from wood with ornate trim and design.* * *I- dora adjetivo beauty (before n)II* * *= car trim, trim.Ex: The manufacture car trims reinforced with natural fibers which contain approx. 80% materials from renewable resources.
Ex: The early telephone booths were manufactured from wood with ornate trim and design.* * *beauty ( before n)1 (tapacubos) hubcap2 (adorno) trim* * *embellecedor, -ora♦ adjbeauty;tratamiento embellecedor beauty treatment♦ nm[en mueble, puerta] decorative fittings2. [tapacubos] hubcap -
7 recurso renovable
m.renewable resource.* * *(n.) = renewable resourceEx. The manufacture car trims reinforced with natural fibers which contain approx. 80% materials from renewable resources.* * *(n.) = renewable resourceEx: The manufacture car trims reinforced with natural fibers which contain approx. 80% materials from renewable resources.
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8 Nervi, Pier Luigi
[br]b. 21 June 1891 Sondrio, Italyd. 9 January 1979 (?), Italy[br]Italian engineer who played a vital role in the use and adaptation of reinforced concrete as a structural material from the 1930s to the 1970s.[br]Nervi early established a reputation in the use of reinforced concrete with his stadium in Florence (1930–2). This elegant concrete structure combines graceful curves with functional solidity and is capable of seating some 35,000 spectators. The stadium was followed by the aircraft hangars built for the Italian Air Force at Orvieto and Ortebello, in which he spanned the vast roofs of the hangars with thin-shelled vaults supported by precast concrete beams and steel-reinforced ribs. The structural strength and subtle curves of these ribbed roofs set the pattern for Nervi's techniques, which he subsequently varied and elaborated on to solve problems that arose in further commissions.Immediately after the Second World War Italy was short of supplies of steel for structural purposes so, in contrast to the USA, Britain and Germany, did not for some years construct any quantity of steel-framed rectangular buildinngs used for offices, housing or industrial use. It was Nervi who led the way to a ferroconcrete approach, using a new type of structure based on these materials in the form of a fine steel mesh sprayed with cement mortar and used to roof all kinds of structures. It was a method that resulted in expressionist curves instead of rectangular blocks, and the first of his great exhibition halls at Turin (1949), with a vault span of 240 ft (73 m), was an early example of this technique. Nervi continued to create original and beautiful ferroconcrete structures of infinite variety: for example, the hall at the Lido di Roma, Ostia; the terme at Chianciano; and the three buildings that he designed for the Rome Olympics in 1960. The Palazzetto dello Sport is probably the most famous of these, for which he co-operated with the architect Annibale Vitellozzi to construct a small sports palace seating 5,000 spectators under a concrete "big top" of 194 ft (59 m) diameter, its enclosing walls supported by thirtysix guy ropes of concrete; inside, the elegant roof displays a floral quality. In 1960 Nervi returned to Turin to build his imaginative Palace of Labour for the centenary celebrations of Garibaldi and Victor Emmanuel in the city. This vast hall, like the Crystal Palace in England a century earlier (see Paxton), had to be built quickly and be suitable for later adaptation. It was therefore constructed partly in steel, and the metal supporting columns rose to palm-leaf capitals reminiscent of those in ancient Nile palaces.Nervi's aim was always to create functional buildings that simultaneously act by their aesthetic qualities as an effective educational influence. Functionalism for Nervi never became "brutalism". In consequence, his work is admired by the lay public as well as by architects. He collaborated with many of the outstanding architects of the day: with Gio Ponti on the Pirelli Building in Milan (1955–9); with Zehrfuss and Breuer on the Y-plan UNESCO Building in Paris (1953–7); and with Marcello Piacentini on the 16,000-seat Palazzo dello Sport in Rome. Nervi found time to write a number of books on building construction and design, lectured in the Universities of Rio de Janiero and Buenos Aires, and was for many years Professor of Technology and Technique of Construction in the Faculty of Architecture at the University of Rome. He continued to design new structures until well into the 1970s.[br]Principal Honours and DistinctionsRIBA Royal Gold Medal 1960. Royal Institute of Structural Engineers Gold Medal 1968. Honorary Degree Edinburgh University, Warsaw University, Munich University, London University, Harvard University. Member International Institute of Arts and Letters, Zurich; American Academy of Arts and Sciences; Royal Academy of Fine Arts, Stockholm.Bibliography1956, Structures, New York: Dodge.1945, Scienza o Arte del Costruire?, Rome: Bussola.Further ReadingP.Desideri et al., 1979, Pier Luigi Nervi, Bologna: Zanichelli.A.L.Huxtable, 1960, Masters of World Architecture; Pier Luigi Nervi, New York: Braziller.DY -
9 Стеклофибробетон
Building materials: GRC (Glassfiber reinforced concrete), (СФБ) Glassfiber reinforced concrete (GRC) -
10 армированная плита
1) Engineering: reinforced plate, reinforced slab2) Building materials: RC slabУниверсальный русско-английский словарь > армированная плита
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11 сталефибробетон
1) Construction: ferrocement, steel fiber concrete (бетон, дисперсно армированный стальной фиброй), steel fiber reinforced concrete, steel fibrous concrete (бетон, дисперсно армированный стальной фиброй)2) Building materials: steel fibre reinforced concrete -
12 стеклофибробетон
Building materials: GRC (Glassfiber reinforced concrete), (СФБ) Glassfiber reinforced concrete (GRC) -
13 Breuer, Marcel Lajos
[br]b. 22 May 1902 Pécs, Hungaryd. 1 July 1981 New York (?), USA[br]Hungarian member of the European Bauhaus generation in the 1920s, who went on to become a leader in the modern school of architectural and furniture design in Europe and the United States.[br]Breuer began his student days following an art course in Vienna, but joined the Bauhaus at Weimar, where he later graduated, in 1920. When Gropius re-established the school in purpose-built structures at Dessau, Breuer became a member of the teaching staff in charge of the carpentry and furniture workshops. Much of his time there was spent in design and research into new materials being applied to furniture and interior decoration. The essence of his contribution was to relate the design of furniture to industrial production; in this field he developed the tubular-steel structure, especially in chair design, and experimented with aluminium as a furniture material as well as pieces of furniture made up from modular units. His furniture style was characterized by an elegance of line and a careful avoidance of superfluous detail. By 1926 he had furnished the Bauhaus with such furniture in chromium-plated steel, and two years later had developed a cantilevered chair.Breuer left the Bauhaus in 1928 and set up an architectural practice in Berlin. In the early 1930s he also spent some time in Switzerland. Notable from these years was his Harnischmacher Haus in Wiesbaden and his apartment buildings in the Dolderthal area of Zurich. His architectural work was at first influenced by constructivism, and then by that of Le Corbusier (see Charles-Edouard Jeanneret). In 1935 he moved to England, where in partnership with F.R.S. Yorke he built some houses and continued to practise furniture design. The Isokon Furniture Co. commissioned him to develop ideas that took advantage of the new bending and moulding processes in laminated wood, one result being his much-copied reclining chair.In 1937, like so many of the European architectural refugees from Nazism, he found himself under-occupied due to the reluctance of English clients to embrace the modern architectural movement. He went to the United States at Gropius's invitation to join him as a professor at Harvard. Breuer and Gropius were influential in training a new generation of American architects, and in particular they built a number of houses. This partnership ended in 1941 and Breuer set up practice in New York. His style of work from this time on was still modern, but became more varied. In housing, he adapted his style to American needs and used local materials in a functional manner. In the Whitney Museum (1966) he worked in a sculptural, granite-clad style. Often he utilized a bold reinforced-concrete form, as in his collaboration with Pier Luigi Nervi and Bernard Zehrfuss in the Paris UNESCO Building (1953–8) and the US Embassy in the Hague (1954–8). He displayed his masterly handling of poured concrete used in a strikingly expressionistic, sculptural manner in his St John's Abbey (1953–61) in Collegeville, Minnesota, and in 1973 his Church of St Francis de Sale in Michigan won him the top award of the American Institute of Architects.[br]Principal Honours and DistinctionsAmerican Institute of Architects Medal of Honour 1964, Gold Medal 1968. Jefferson Foundation Medal 1968.Bibliography1955, Sun and Shadow, the Philosophy of an Architect, New York: Dodd Read (autobiography).Further ReadingC.Jones (ed.), 1963, Marcel Breuer: Buildings and Projects 1921–1961, New York: Praeger.T.Papachristou (ed.), 1970, Marcel Breuer: New Buildings and Projects 1960–1970, New York: Praeger.DY -
14 SFRS
Building materials: steel fibre reinforced concrete -
15 Стеклофибробетон (СФБ)
Building materials: Glassfiber reinforced concrete (GRC)Универсальный русско-английский словарь > Стеклофибробетон (СФБ)
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16 армоблок
Building materials: reinforced concrete block -
17 бетон, армированный отрезками стальной проволоки
Building materials: steel fibre reinforced concreteУниверсальный русско-английский словарь > бетон, армированный отрезками стальной проволоки
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18 бетон, армированный хаотически расположенными в нём стальными волокнами – фибрами
Building materials: steel fibre reinforced concreteУниверсальный русско-английский словарь > бетон, армированный хаотически расположенными в нём стальными волокнами – фибрами
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19 железобетон, армированный стальными волокнами /стальной фиброй/
Building materials: steel fibre reinforced concreteУниверсальный русско-английский словарь > железобетон, армированный стальными волокнами /стальной фиброй/
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20 металлопластик
1) General subject: reinforced plastic2) Building materials: metal-filled plastic
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reinforced materials — Смотри арматурные материалы … Энциклопедический словарь по металлургии
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